Can you hear the train? It's faint, more a feeling than a sound but it is coming.
After work, I went to Giant Coffee and wrote a bit in an old fashioned spiral notebook. I am gaining a little bit of momentum maybe on this bus piece, and that felt good.
Today, Sterling McKennedy, posted this gem about beginners.
Ira Glass on Storytelling from David Shiyang Liu on Vimeo.
It bears repeating. Especially when things seem not to be hitting their mark. I get easily frustrated by the gap between what I want to write and what ends up on the page. Art school was exactly the same way, though, so I know this is a temporary condition.
When we showed up to our first life drawing class we were all awkward, blushing. No one wanted to stare too long at the model (okay, except for that one creepy kid); no one wanted to catch themselves fixated by the way her thumb was curling over her knee in that strange way you'd never noticed thumbs could do before. Our lines were heavy and misdirected at first. Even the excellent draftsmen and women among us were afraid of something ("Why are your models always floating? Where are her eyes?") But, with practice, the lines we saw through our eyes became the lines that our hands made on the page. Neither a perfect reflection of reality, but instead a version of it in soft charcoals or heavy contés. I won't belabor the point and get all maudlin, missing my blackened fingernails and jeans with dark smears on the thighs from brushing off pencil shavings much. Point is, I got better at drawing by practicing it. It makes amazing perfect sense that I am going toward another studio degree. Right as goddamn rain (why didn't I think of this sooner).
Clutch and twist your suitcase handle til the leather makes a small popping sound. Check the clock again. If you cock your head just right, you might be able to hear the owlish screech of the whistle.